I'm wrapping up a project on our digital lives, probing issues of surveillance and control, and how the combination affects our perceptions of reality. The project was done during my recent program at the Royal College of Arts (see RCA blog at right). In the earlier sculptural works, I laser cut algorithmic code into acrylic sheets. Now I'm working in glass, cutting the code using a process which begins with 3D printing of a sculptural model and working through positive and negative casts to finally cast the glass in a kiln. In the end a little cold shopping to remove the sharp edges.